Year: 2026 Medium: Pigmented ink on silver paper Dimension: 30.9 x 21.6 x 0.3 cm / 12.2 x 8.5 x 0.1 in Edition: 8 Signature: Hand-signed by artist, back This work includes a certificate of authenticity, and black frame. Inspired by Utagawa Hiroshige In 1973, the "Alto" created in Palo Alto was the world's first PC to feature a GUI with a bitmap display. In other words, the home of pixelart. In 2026, this work was created to celebrate an exhibition held at a gallery in Palo Alto. This work was first produced in 2020, the 2026 edition has been updated for the art and technology event “DIG SHIBUYA.” 1973年、パロアルトで開発された「Alto」は、ビットマップでの表示によるGUIを搭載した世界初のパーソナルコンピュータでした。つまり、ピクセルアートの聖地です。2026年、本作はパロアルトのギャラリーで開催された展覧会を記念して制作されました。

Year: 2026 Medium: Pigmented ink on silver paper Dimension: 30.9 x 21.6 x 0.3 cm / 12.2 x 8.5 x 0.1 in Edition: 8 Signature: Hand-signed by artist, back This work includes a certificate of authenticity, and black frame. Inspired by Utagawa Hiroshige The night view depicts the area from Shibuya's most famous crossing toward Udagawacho. This is one piece from the night view series "Yoru no Kei", created during the COVID-19 lockdown period in 2020. The light from the large-scale video screens illuminates the flow of people, while the air, thicker and warmer than during the day, brings out the contours of Shibuya's night. This work was first produced in 2020, the 2026 edition has been updated for the art and technology event “DIG SHIBUYA.” 渋谷で最も有名な交差点から宇田川町方面の夜景が描かれています。2020年、コロナ禍の外出自粛期間において制作された、夜景「よる之景」シリーズの一つです。大型ビジョンの光が人々の流れを照らし、昼とは異なる密度と熱を帯びた空気が、渋谷の夜の輪郭を浮かび上がらせます。 本作は2020年に初版が制作されました。2026年版は同年に渋谷で開催されたアートとテクノロジーのイベント、DIG SHIBUYA verです。

Year: 2026 Medium: Pigmented ink on silver paper Dimension: 30.9 x 21.6 x 0.3 cm / 12.2 x 8.5 x 0.1 in Edition: 8 Signature: Hand-signed by artist, back This work includes a certificate of authenticity, and black frame. Inspired by Utagawa Hiroshige The world-famous Shibuya Center-Gai Street stands over the Udagawa River culvert and has existed since around 1955 as a street leading to Shibuya Station. Signboards crammed side by side along both sides of the street, trendy music blaring, rows of commercial buildings, and the sky stretching toward Shibuya Station. A street that embodies the quintessential Shibuya vibe, where chaos and openness coexist. 世界的に有名な渋谷センター街は、宇田川の暗渠に立ち、1955年頃から渋谷駅に通じる通りとして存在しています。通りの両側に所狭しと連なる看板、飛び交う流行りの音楽、立ち並ぶ商業ビル群、そして渋谷駅に向かって抜ける空。猥雑さと開放感が同居する、渋谷らしい都市のストリートです。

Year: 2025 Medium: Pigmented ink on silver paper Dimension: 30.9 x 21.6 x 0.3 cm / 12.2 x 8.5 x 0.1 in Edition: 8 Signature: Hand-signed by artist, back This work includes a certificate of authenticity, and black frame. This work depicts the view from box 5 of the Opera Garnier in Paris, which the Phantom instructs to always leave open for him in the 1909 Gothic novel The Phantom of the Opera. Hidden in the curtain i n the foreground is INVADER's "PA_631", originally hidden by the outer gate of the Opera Garnier. The novel is based on an accident that actually occurred at the Opera Garnier in the 19th century, but the stage production of "The Phantom of the Opera" has never been staged here. Will it be staged here someday? 1909年のゴシック小説『オペラ座の怪人』で、怪人が自分のために必ず空けておくように指示する、パリのオペラ・ガルニエ5番ボックス席から臨む景色が描かれています。手前のカーテンに隠れているのはINVADERの「PA_631」、本来はオペラ・ガルニエの外門に隠れています。19世紀にオペラ・ガルニエで実際に起きた事故を元に作られた小説ですが、舞台『オペラ座の怪人』がここで上演されたことはありません。いつか上演されるでしょうか。

Year: 2025 Medium: Pigmented ink on silver paper Dimension: 30.9 x 21.6 x 0.3 cm / 12.2 x 8.5 x 0.1 in Edition: 8 Signature: Hand-signed by artist, back This work includes a certificate of authenticity, and black frame. Henri Rivière, a Post-Impressionist painter from Paris, France, was deeply influenced by Japonisme and painted "Thirty-six Views of the Eiffel Tower" (Les Trente-Six Vues de la Tour Eiffel) after Katsushika Hokusai's "Thirty-six Views of Mount Fuji". This work was inspired by one of his series, "Notre Dame Cathedral", painted in 1902. It was created in honor of the ceremony for the reopening of Notre Dame Cathedral, which too k place at the same time as EXCALIBUR's solo exhibition in Paris in 2024. In Henri Rivière's work, the sky is cloudy with lots of smoke rising from the chimneys of the city of Paris, but in this work, an airplane is flying over the unchanged Parisian cityscape. フランス・パリ出身のポスト印象派の画家アンリ・リヴィエールは、ジャポニスムに深い影響を受け、葛飾北斎の「富嶽三十六景」に倣って「エッフェル塔三十六景」を描きました。 この作品は、1902年に描かれた連作のひとつ「ノートルダム大聖堂」にインスパイアされたものです。2024年にパリで開催されたEXCALIBURの個展と同時期にノートルダム大聖堂の再開の式典が開催され、敬意を込めて制作されました。アンリ・リヴィエールの作品では、パリの街の煙突からたくさんの煙が立ち上って空を曇らせていますが、本作では、変わらないパリの街並みの上を飛行機が飛んでいます。

Year: 2023 Medium: Pigmented ink on silver paper Dimension: 30.9 x 21.6 x 0.3 cm / 12.2 x 8.5 x 0.1 in Edition: 8 (0 remaining) Signature: Hand-signed by artist, back This work includes a certificate of authenticity, and black frame. This work is the third "Ukiyo.e" in Paris. The title comes from the name of the street, "Avenue de Tokio", which existed from 1918 to 1945. The name of this street was also the origin of the Palais de Tokyo. The bridge in the near view is the Dubili Bridge over the Seine River, which borrows the work that the Invader bombed. The seagulls (Mouette rieuse) fly ing over the Seine and the Eiffel Tower are also reminiscent of the black-headed gulls (Tokyo's resident bird) and the Miotsukushi (traditional Japanese daybeacon) from Hiroshige's "Shibaura no fukei (Shibaura Scenery)". The distant background quotes EVA Unit-8β and EVA Mark.44A from the Battle of Paris in "Evangelion: 3.0+1.0 Thrice Upon a Time". パリの「浮世ドット絵」3 作目です。タイトルは1918 年から1945 年まで存在した通りの名前「Avenue de Tokio」から名付けました。この通りの名前はパレ・ド・トーキョーの由来にもなりました。 近景の橋はセーヌ川に架かるドゥビリ橋で、インベーダーがボムッた作品を借景しています。また、セーヌ川を飛ぶカモメ（Mouette rieuse）とエッフェル塔は、広重の『芝うらの風景』からユリカモメ（東京都民の鳥）と澪標を重ねて、遠景には『シン・エヴァンゲリオン劇場版:||』パリ戦でのエヴァ8号機βとエヴァ44Aを引用しています。

Year: 2023 Medium: Pigmented ink on silver paper Dimension: 30.9 x 21.6 x 0.3 cm / 12.2 x 8.5 x 0.1 in Edition: 8 Signature: Hand-signed by artist, back This work includes a certificate of authenticity, and black frame. This work depicts the road leading from the Yoyogi shopping street near the ticket gates of JR Yoyogi Station to Meiji Shrine. T he train seen on the central viaduct is the Yamanote Line, which runs inward around the center of Tokyo (Edo), and is an iconic Tokyo line. JR 代々木駅の改札近くの代々木商店街から明治神宮まで続く道を描いています。 中央の架道橋に見える電車は、東京（江戸）の中心部を内側に囲むように走る山手線で、東京の象徴的な路線です。

Year: 2023 Medium: Pigmented ink on silver paper Dimension: 30.9 x 21.6 x 0.3 cm / 12.2 x 8.5 x 0.1 in Edition: 8 Signature: Hand-signed by artist, back This work includes a certificate of authenticity, and black frame. This work is the iconic sights of Akihabara, right outside the ticket gates of JR Akihabara Station's Akihabara Electric Town Exit. This work is one of a series of works, "Manseibashi Onarikaido kadokyo" and "Sotokanda yoru no kei", which depict Akihabara. JR 秋葉原駅電気街口（Akihabara Electric Town Exit）の改札を出てすぐ、秋葉原の象徴的な風景の一つです。本作は秋葉原を描いた「万世橋御成街道架道橋」「外神田よる之景」の連作の一つです。

Year: 2023 Medium: Pigmented ink on silver paper Dimension: 30.9 x 21.6 x 0.3 cm / 12.2 x 8.5 x 0.1 in Edition: 8 Signature: Hand-signed by artist, back This work includes a certificate of authenticity, and black frame. Inspired by Hiroshige's "Aoi Slope Outside Toranomon Gate" No.1 13 from "One Hundred Famous Views of Edo". In Hiroshige's work, men are depicted worshipping in a loincloth, even on a winter night, for the purpose of praying. This work depicts the "Konpira Shrine" where they end up. The "Toranomon (Tiger's Gate)" was once a particularly important place in Edo Castle, located in the unlucky quarter. Its name is said to derive from its location on the "White Tiger / Byakko" of the four deities that govern the north, south, east, and west of Edo. The Torii gate , which has existed since before it was painted by Hiroshige, is decorated with the sacred birds and animals of the four deities (Blue Dragon / Seiryu, Black Tortoise / Genbu, Vermilion Bird / Suzaku, and White Tiger / Byakko). Even today, the shrine is loved by many people who work in the area, and m any business people visit the shrine to pray. 広重の「名所江戸百景」第百十三景になる『虎の門外あふひ坂』をヒントに描いています。広重の作品には、男たちが祈願のために、冬の夜にもかかわらず、ふんどし一丁で参拝する様子が描かれていますが、本作では、彼らの行き着く先の「金毘羅宮」を描いています。虎ノ門は、かつて江戸城では裏鬼門に位置し、特に重要な場所でした。その名前は、江戸の東西南北を司どる四神の「白虎」に位置することが由来と言われており、広重に描かれる前から存在している鳥居には、四神（青竜・玄武・朱雀・白虎）の霊鳥・霊獣が飾られています。現在も、この土地で仕事を営む多くの人に愛され、多くのビジネスパーソンが祈願に訪れる神社です。

Year: 2023 Medium: Pigmented ink on silver paper Dimension: 30.9 x 21.6 x 0.3 cm / 12.2 x 8.5 x 0.1 in Edition: 8 Signature: Hand-signed by artist, back This work includes a certificate of authenticity, and black frame. This work depicts a view of "Tama New Town", a large bed town i n the suburbs of Tokyo, as seen from the pass of Sakimori mikaeri. Tama New Town was developed by carving out the Tama hills against the backdrop of a serious housing shortage in Tokyo during t he period of rapid economic growth. The pass of Sakimori mikaeri is a mountain pas s where, in ancient times, soldiers departing for Kyushu are said to have looked back to their hometowns. In this work, a raccoon dog, forced to leave his home by development, looks back to his hometown as w ell. Studio Ghibli's animated film "Pom Poko (Heisei-era Raccoon Dog War Ponpoko)" (director: Isao Takahata) is based on this theme of the Tama New Town development, and the raccoon depicted in the lower right corner of this work is a reference to a video game character in the animated film. 東京郊外の大規模ベッドタウン「多摩ニュータウン」を防人見返りの峠から望む景色を描いています。多摩ニュータウンは高度経済成長期の東京の深刻な住宅不足を背景に、多摩丘陵を切り開いて開発されました。防人見返りの峠は古代、九州へと旅立つ防人（兵士）が、故郷を振り返ったとされる峠で、本作では開発により住む場所を追われた狸が同じく故郷を振り返っています。スタジオジブリのアニメ映画『平成狸合戦ぽんぽこ』（監督：高畑勲）はこの多摩ニュータウン開発をテーマにしており、本作の画面右下に描かれている狸は、アニメに登場するビデオゲームのキャラクターを引用しています。

Year: 2023 Medium: Pigmented ink on silver paper Dimension: 30.9 x 21.6 x 0.3 cm / 12.2 x 8.5 x 0.1 in Edition: 8 (7 remaining) Signature: Hand-signed by artist, back This work includes a certificate of authenticity, and black frame. This work is a view of a tobacco shop in Oji. Tobacco shops were a common sigh t throughout Japan during the Showa- era (1926 -1989), but with the passage of time , they have become less common in recent y ears. Unfortunately, the tobacco shop depicted here also has its window shutters closed. As if to illustrate the passing of time, the latest Tohoku Shinkansen (bullet train) is running in the distant background. 王子にある煙草屋の風景です。煙草屋は昭和時代に日本の至るところで見られた日常の風景でしたが、時代の流れにより近年では見かけることも少なくなりました。残念ながら、ここに描かれている煙草屋も、窓口のシャッターは閉じています。過ぎ去る時間の流れを物語るように、遠景には最新の東北新幹線が走行しています。

Year: 2023 Medium: Pigmented ink on silver paper Dimension: 30.9 x 21.6 x 0.3 cm / 12.2 x 8.5 x 0.1 in Edition: 8 Signature: Hand-signed by artist, back This work includes a certificate of authenticity, and black frame. This work is a night view of the Hakozaki Junction of the Metropolitan Expressway as seen from the exit of Tokyo Metro Suitengumae Station. Hakozaki Junction is known as one of the best junctions in Tokyo, and because of its unique form, it is also called “Yamata no Orochi”, a giant creature with 8 heads and 8 tails that appears in Japanese mythology. It is an urban artery that supports the logistics of the metropolis Tokyo day and night, and in the near view is depicted a Konbini (convenience store) that also supports a life in Tokyo day and night. 東京メトロ水天宮前駅の出口から臨む、首都高速道路の箱崎ジャンクションの夜景です。箱崎ジャンクションは東京都内屈指のジャンクションとして知られ、その独特なフォルムから、日本神話に登場する8 本の頭と8 本の尾を持つ巨大な生物「八岐大蛇」とも呼ばれています。大都市・東京の物流を昼夜問わずに支える都市の動脈であり、近景には同じく東京の生活を昼夜問わずに支えるコンビニが描かれています。

Year: 2023 Medium: Pigmented ink on silver paper Dimension: 30.9 x 21.6 x 0.3 cm / 12.2 x 8.5 x 0.1 in Edition: 8 Signature: Hand-signed by artist, back This work includes a certificate of authenticity, and black frame. Inspired by Hiroshige's "Kanasugi Bridge and Shibaura" No.80 from "One Hundred Famous Views of Edo". When Hiroshige painted it, the view of Edo Bay could be seen from Kanasugi Bridge in Shibaura. Today, however, Kanasugi Bridge is now under the elevated Metropolitan Expressway, and the area under Kanasugi B ridge has become a mooring area for houseboats. It is said that the bridge was named "Kanasugi (Golden Cedar) Bridge" because there used to be a shiny, shining bead tree near the bridge that could be seen from the sea. The tree has since disappeared, but today, under the bridge, brightly lit houseboats reflect their light on the river surface night after night. 広重の「名所江戸百景」第八十景になる『金杉橋芝浦』をヒントに現代の金杉橋を描いています。広重が描いた当初は、芝浦の金杉橋から江戸湾を臨むことができましたが、現在は首都高速の高架下となり、橋の下は屋形船の係留場所となっています。かつて橋の近くに、海から目印にするほど光り輝くセンダンの木があったことから、「金杉橋」と名付けられたと言われています。いつしかその木はなくなってしまいましたが、現在橋の下では、夜な夜な鮮やかな屋形船が光を川面に映しています。

Year: 2023 Medium: Pigmented ink on silver paper Dimension: 30.9 x 21.6 x 0.3 cm / 12.2 x 8.5 x 0.1 in Edition: 8 Signature: Hand-signed by artist, back This work includes a certificate of authenticity, and black frame. Inspired by Hiroshige's "Kameido Tenjin keidai" No.65 from "One Hundred Famous Views of Edo". The shrine has 3 b ridges representing the past, current, and future, and the one depicted here represents the future. At the time Hiroshige painted this work, pine forests we re in the distant background, but today, modern architecture, including the Sky Tree, lines the street. Although the landscape has changed, it i s still famous for its wisteria in contemporary times and attracts many visitors during the wisteria blooming season. There are 2 versions of Hiroshige's "Kameido Tenjin keidai": a blue first-printing version under the drum bridge and a red second-printing version. This work is based on the first-printing version. 広重の「名所江戸百景」第六十五景である『亀戸天神境内』と同じ構図で現代の亀戸天神社を描いた作品です。この神社には過去・現在・未来を表す3 つの橋があり、ここに描かれているのは未来を表す橋です。広重が描いた当時は、遠景に松林が広がっていますが、現代ではスカイツリーをはじめ近代的な建築が並びます。景色は変わりましたが、現代でも変わらず藤の名所として有名で、藤が咲く季節には多くの人が訪れます。 広重の『亀戸天神境内』には太鼓橋の下が青い初摺Ver. と赤い増摺Ver. が存在しますが、本作は初摺Ver. を引用しています。

Year: 2023 Medium: Pigmented ink on silver paper Dimension: 30.9 x 21.6 x 0.3 cm / 12.2 x 8.5 x 0.1 in Edition: 8 Signature: Hand-signed by artist, back This work includes a certificate of authenticity, and black frame. Inspired by Hiroshige's "Shichu hanei Tanabata matsuri" No.73 f rom "One Hundred Famous Views of Edo". The Asagaya Tanabata festival, held mainly in Asagaya' s Pearl Center shopping street, is one of t he most famous Tanabata festivals in contemporary Tokyo. Asagaya is also a town that holds fond memories for the artist, who had a studio nearby when he created this work. 広重の「名所江戸百景」第七十三景になる『市中繁栄七夕祭』をヒントに現代の七夕祭を描いています。阿佐谷のパールセンター商店街を中心に開催される「阿佐谷七夕まつり」は、 現代の東京で最も有名な七夕祭の一つです。阿佐ヶ谷は、本作品を制作当時、作家が近くにアトリエを構えていた、思い出の街でもあります。

Year: 2024 Medium: Pigmented ink on silver paper Dimension: 30.9 x 21.6 x 0.3 cm / 12.2 x 8.5 x 0.1 in Edition: 8 Signature: Hand-signed by artist, back This work includes a certificate of authenticity, and black frame. This work is one of a series of "night views" during the curfew period due to the COVID-19 crisis. It depicts a rainy view of Godzilla Road, the main street of Ka bukicho, Shinjuku's entertainment district. This work was first produced in 2021, the 2023 edition has been updated to the 2023-24 cityscape. 本作はコロナ禍の外出自粛期間において制作された、夜景「よる之景」シリーズの一つで、新宿歌舞伎町のメインストリート、ゴジラロードの雨の景色が描かれています。 本作は2021 年に初版が制作されました。2024 年の版は、街の風景が2023-24 年のものに更新されています。

Year: 2024 Medium: Pigmented ink on silver paper Dimension: 30.9 x 21.6 x 0.3 cm / 12.2 x 8.5 x 0.1 in Edition: 8 Signature: Hand-signed by artist, back This work includes a certificate of authenticity, and black frame. It depicts the electric town of Akihabara at night. Akihabara w as born out of the postwar black market and developed as the center of electrical products and otaku culture. This work was first produced in 2021, the 2023 edition has been updated to the 2023-24 cityscape. 秋葉原の電気街、夜の風景が描かれています。戦後の闇市から生まれた秋葉原は電気製品、そしてオタクカルチャーの中心として発展しました。 本作は2021 年に初版が制作されました。2024 年の版は、街の風景が2023-24 年のものに更新されています。

Year: 2023 Medium: Pigmented ink on silver paper Dimension: 30.9 x 21.6 x 0.3 cm / 12.2 x 8.5 x 0.1 in Edition: 8 Signature: Hand-signed by artist, back This work includes a certificate of authenticity, and black frame. Inspired by Hiroshige Utagawa - "Inokashira no ike Benten no yashiro" The work depicts a quotation from Hiroshige's "Inokashira no ike Benten no yashiro (Inokashira Pond Benten Shrine)" which is the No. 87 scene in "Meisho Edo Hyakkei (One Hundred Famous Views of Edo). At the time, the pond was so large that the mountains in the distance could be seen, but currently it is the large park with nature park, where wild birds gather. Only the Benten-do, depicted in the center, has remained unchanged. 広重の「名所江戸百景」第八十七景となる「井の頭乃池弁天の社」を引用して描いています。当時は遠くの山々が見えるほど大きな池でしたが、現在は自然公園を備えた、野鳥の集う大きな公園です。中央に描かれている弁天堂だけ、変わらずにその姿を残しています。

Year: 2023 Medium: Pigmented ink on silver paper Dimension: 30.9 x 21.6 x 0.3 cm / 12.2 x 8.5 x 0.1 in Edition: 8 Signature: Hand-signed by artist, back This work includes a certificate of authenticity, and black frame. Inspired by Hiroshige Utagawa This is "Takeshita-dori (Takeshita Street)" in Harajuku, one of the most famous sightseeing spots in contemporary Tokyo. Hiroshige painted 118 famous places in Edo at that time, and if he had to choose 118 famous places in contemporary Tokyo, this street would definitely be chosen. The building depicted at the end of the street is a tower building built on the site of the former "Palais France". The Palais France was a fashion building that opened in 1974 and is said to be the beginning of Takeshita-dori shopping street. Although there was no direct relationship with France, the longing for the glamorous French fashion world has continued in the bustle of Takeshita-dori to the present day. 現代の東京の観光名所として名高い、原宿の「竹下通り」です。広重は当時の江戸の名所を118ヶ所描きましたが、現代の東京の名所を118ヶ所選ぶとしたら、間違いなくこの通りが選ばれるでしょう。 通りの奥に描かれているビルは、「パレフランス」の跡地に建てられたタワービルです。「パレフランス」は1974年に開業したファッションビルで、竹下通り商店街の始まりといわれています。実際にフランスと直接的な関係があった訳ではありませんが、華やかなフランスのモード界への憧れが現在まで続く竹下通りの賑わいに続いているといえるでしょう。

Year: 2023 Medium: Pigmented ink on silver paper Dimension: 30.9 x 21.6 x 0.3 cm / 12.2 x 8.5 x 0.1 in Edition: 8 Signature: Hand-signed by artist, back This work includes a certificate of authenticity, and black frame. Inspired by Henri Rivière and Hiroshige Utagawa This is the 2nd "Ukiyo.e" of Paris. The title comes from the name of street "Mon détour (detour)" and the central market "Les Halles" that used to be there. There are various theories as to the origin of the name of street. In the far left is the Église Saint-Eustache de Paris and part of a posthumous painting by Keith Haring 2 weeks before his death, which was donated there. The green zombie on the center wall is one of the NFT project "CryptoPunks", and in 2022, the Invader bombed this wall. Note that the red glasses are CC0 (copyright free) NFT project "Nouns" and do not actually exist at this location. I cited it as street art on the virtual. "Pixel Borrowed scenery" is a dot-picture borrowing of the lineage of urban art from the past to the present. パリの「浮世ドット絵」2作目です。タイトルは通りの名前「Mon détour(迂回路・回り道)」と、かつてそこにあった中央市場「Les Halles」から名付けました。※通りの名前の由来は諸説あります 左の奥に見えるのは、サン・トゥスタッシュ教会（Église Saint-Eustache de Paris）と、そこに寄贈されているキース・ヘリングが亡くなる2週間前に描いた遺作の一部です。中央の壁に描かれた緑のゾンビはNFTプロジェクト「CryptoPunks」の1体で、2022年にインベーダーがこの壁にボムりました。なお、赤いメガネはCC0（著作権フリー）のNFTプロジェクト「Nouns」で、実際にはこの場所に存在しません。仮想上のストリートアートとして引用しました。 過去から現在に連なる、アーバンアートの系譜をドット絵で借景した「ピクセル借景」です。

Year: 2022 Medium: Pigmented ink on silver paper Dimension: 30.9 x 21.6 x 0.3 cm / 12.2 x 8.5 x 0.1 in Edition: 8 Signature: Hand-signed by artist, back This work includes a certificate of authenticity, and black frame. Inspired by Hiroshige Utagawa - "Kameido Umeyashiki" This work depicts the remains of the modern Kameido Umeyashiki with the same composition as Hiroshige's "Kameido Umeyashiki" No. 30 from "One Hundred Famous View of Edo". The plum orchard, which was a famous plum orchard at that time, is now gone, and only one plum tree is planted at the site of the orchard. 広重の「名所江戸百景」第三十景「亀戸梅屋舗」と同じ構図で現代の亀戸梅屋舗跡が描かれた作品です。当時、梅の名所であった梅園は現在なくなり、その跡地には梅が1本だけ植えられています。

Year: 2022 Medium: Pigmented ink on silver paper Dimension: 30.9 x 21.6 x 0.3 cm / 12.2 x 8.5 x 0.1 in Edition: 8 Signature: Hand-signed by artist, back This work includes a certificate of authenticity, and black frame. Inspired by Hiroshige Utagawa The title means "(close view) (O) Daiba (more) (distant view) Oi (pier) (facing)". The full-scale Unicorn Gundam in Odaiba is captured as a modern Buddha statue, and a close-up is drawn in the near view, and the night view of Oi Wharf across Tokyo Bay is drawn in the distant view. In the night sky, the space colony "Laplace" (an imaginary figure of Stanford Torus), which is a fictitious space colony that appears in the story of "Mobile Suit Gundam UC", is drawn. The Odaiba area in the distant view of Hiroshige's "Shinagawa Susaki," No.83 from "One hundred Famous Views of Edo", did not exist at that time. This is a view looking backward from Odaiba, which was created in modern times as reclaimed land, toward Oi (in the direction of Shinagawa Susaki). お台場にある実物大のユニコーンガンダムを現代の仏像として捉え、遠景には東京湾を挟んだ大井埠頭の夜景が描かれています。夜空浮かぶのは「機動戦士ガンダムUC」の物語に登場する架空の宇宙植民地であるスペースコロニー「ラプラス」（の想像図であるスタンフォード・トーラス）です。 広重の「名所江戸百景」第八十三景「品川すさき」の遠景であるお台場方面は、当時は存在しませんでした。埋立地として近代に生まれたお台場から、大井（品川すさき方面）を逆方向で臨んだ風景です。

Year: 2022 Medium: Pigmented ink on silver paper Dimension: 30.9 x 21.6 x 0.3 cm / 12.2 x 8.5 x 0.1 in Edition: 8 Signature: Hand-signed by artist, back This work includes a certificate of authenticity, and black frame. Inspired by Hiroshige Utagawa The title means "Kudanzaka (from) Ichigaya (around the station) (facing)". With the theme of the road on the left side of Yasukuni Shrine (Yasukuni Dori) on the memorial of the end of the war, the out-of-season cherry blossoms are filled with condolences to the scattered ancestors. The Zero Fighter on the upper right is a little out of the frame, but we basically set the inside of the frame as this world and the outside of the frame as the everlasting world, and this Zero Fighter is drawn as a kind of spiritual existence. By adding the snow mark in the distant view, it suggests a transcendental mystery. Yasukuni Shrine was built for the war dead of the Boshin War, so it did not exist in the Hiroshige era. Therefore, the first generation of Hiroshige did not draw it, but the third generation of Hiroshige preferred to do so. For example, "Yasukuni Shrine on Kudanzaka". 終戦記念日の靖国神社の左側道路（靖国通り）を主題に、季節外れの桜は散っていった先人への哀悼を込めて制作されました。左上の零戦が枠の外に少し出ているのは、枠の内を現世、枠の外を常世と設定し、この零戦はある種、心霊的な存在として描かれています。遠景の雪印マークは、季節を超越した幽玄を示唆しています。 靖国神社は戊辰戦争の戦没者のために創建されたので、広重の時代にはありませんでした。その為、初代 広重は靖国を描いていませんが、三代 広重は「九段坂上靖国神社」など、好んで描いています。

Year: 2022 Medium: Pigmented ink on silver paper Dimension: 30.9 x 21.6 x 0.3 cm / 12.2 x 8.5 x 0.1 in Edition: 8 Signature: Hand-signed by artist, back This work includes a certificate of authenticity, and black frame. Inspired by Hiroshige Utagawa The theme is the Hinode (sunrise) pier in the vicinity of Hiroshige's "Shibaura Scenery", No.108 from "One Hundred Famous Views of Edo". In 2019, a "drawing of a mouse believed to be a Banksy work" found near Hinode Station was protected by the government despite being illegal graffiti. EXCALIBUR was inspired by that sequence of events and removed the rats outside the frame of the Hinode Pier (or perhaps they escaped). Since Hiroshige's "Shiba-ura no fukei" depicts a Eurasian gull, this work depicts a new transit system, the Yurikamome. 広重の「名所江戸百景」第百八景「芝うらの風景」をヒントに、その近辺となる日の出埠頭の夜明け前の風景が描かれています。 2019年、日の出駅付近で発見された「バンクシー作品らしきネズミの絵」が非合法なグラフィティでありながら行政に保護されました。作家はその一連の出来事にインスパイアされ、日の出埠頭の枠の外にネズミを撤去しました（もしくは逃げ出したのでしょう）。広重の「芝うらの風景」にはユリカモメが描かれているので、本作には新交通ゆりかもめが登場しています。